Cane vs. Synthetic
| Image by Jenny Maclay on dansr.com |
Durability:
| Image from Saxshop.com |
Tone Production:
Tone production in itself is subjective, everyone perceives sound in their own way even more so with most musicians. However, in the case for classically trained saxophone players most if not all know what a classical saxophone is supposed to sound like, it is more so the “how do I get that sound” and “what do I need to get that sound.” After playing on the Légère synthetic reed for about a week I felt that the sound I was getting was good and something I was satisfied with, however after switching to the cane reed I almost immediately noticed that I had a “fuller” sound. After switching back to the synthetic, there was a thinness to my sound that I didn’t realize before switching to the cane.
Mass Production:
Since the
Légère reeds are made of plastics, it is easier to replicate since they are
made artificially. As for the Vandoran reeds, they are not as easy to
replicate. The cane used in reeds are not all grown one-to-one, with some
factors being sunlight, nutrients, water, and other factors that can affect how
the cane grows. One of the primary factors being the wind. As the cane grows,
the wind pushes and pulls it around causing the cane to grow stronger fibers as
it tries to resist the wind, not unlike how we grow our own muscles. This is
why reeds come in different “strengths,” it is based on how resistant the cane
is from the wind.
| Image from straitmusic.com |
Before and After Care:
Reed
musicians are well aware that not all cane reeds are the same, even if the
reeds came in the same box, however there are ways to mitigate the differences
between reeds. One way being shaving or using fine sandpaper to flatten the
bottom of the reed to create a better seal with the mouthpiece. Another way is
to hydrate the reeds before playing, this gives the fibers a chance to loosen up,
so it doesn’t feel like blowing into a plank of wood. Aftercare with care reeds
is also important, if reeds dry up too quickly, they tend to warp and create waves
at the tip of the reed. To mitigate this, reed players store their reeds in a humidity-controlled
case with a flat surface to keep the moisture in the reed consistent and the
tip of the reed flat. The synthetic reeds, however, require almost none of the
upkeep previously mentioned as the plastic material is much more resistant to
changes in humidity and not as prone to the tip warping from drying too fast.
Cost of Reeds:
Price of cane
reeds can be very subjective as it can vary from player to player. Some might
be very picky about the reeds they use and buy multiple boxes to find one that
fits their needs. If someone plays their instrument very frequently, maybe
putting in four or more hours a day; extensive use can weaken the cane causing it
to shorten the reeds’ lifespan. Or maybe just someone who wants to learn how to
play a reed instrument and just uses any reed in the box. A box of Vandoran Alto
Saxophone cane reeds can go for about $30.00 to $35.00 depending on who and/or
where you buy from. Since the Légère synthetic is made with consistency of
production in mind, a person might only spend $25.00 to $30.00 for just one
reed that can last up to a few months.
Conclusion:
| Image by Fred Pasqua on nemc.com |
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